June 2008
June 26
This week's Hit of the Week is brought
to you by
G.Washington Coffee
(from 1928 ad)
Love
Dreams
Albert Brunies And His Halfway House Orch
1928
(Columbia 1542 D mx 146205)
Tell
Me Who
Albert Brunies And His Halfway House Orch
1928
(Columbia 1542 D mx 146219)
This week's selections come courtesy
of regular guest contributor Matt From College Station. Normally
Matt would write the text regarding selections that come from his collection.
But, for the next few months, he is busy finishing work needed for his
degree from school.
The Halfway House Orchestra was
a New Orleans area jazz band. The band was named after a club
that was named the Halfway House Club because it was located approximately
half way between New Orleans and Lake Pontchartrain. Albert
Brunies was one of several jazz musician in his family which resided in
New Orleans' "Irish Channel" neighborhood. Brunies continued to perform
in the New Orleans area until the mid 1940s when he moved to Biloxi, Mississippi
where he led a Dixieland band through at least the 1950s.
- Dismuke
If you have questions or
comments about the music or would simply enjoy interacting with friendly
people who share your interest in it, join in the conversation on Dismuke's
Message Board.
EXTRA
This section will present
78 rpm recordings that do not fall within the range of the vintage pop
and jazz fare that I usually present. Here I will feature
recordings from a wide variety of eras, musical genres and nationalities
as well as occasional spoken word recordings.
A
Rendezvous With Lehar Part 1
Aulikki Rautawaara, Peter Anders vocal
Berlin Philomarnic Orchester
1935
(Supraphon F 2261 mx 020419)
A
Rendezvous With Lehar Part 2
Aulikki Rautawaara, Peter Anders vocal
Berlin Philomarnic Orchester
1935
(Supraphon F 2261 mx 020420)
Here is a very nice medley recording
of selections from various Franz Lehar operettas. They, too, come
courtesy of Matt From College station. Matt's copy is
on the Czechoslovakian Supraphon label. Since all of the information
on the label is in English, my strong guess is the record was manufactured
for export to either the USA or, more likely, the UK. My understanding,
however, is that the recording was originally issued on the German Telefunken
label. I think the fidelity on this is quite outstanding
for a 1935 recording.
Unfortunately, I have not been able
to do as much research on Aulikkia Rautawaara and Peter Anders before the
update as I would like. My dsl service has gone down and the telephone
company repair office says it might be out for as long as 48 hours before
a technician gets around to fixing it. The only Internet access I
have as I put this update together is a neighbor's unsecured wireless hotspot
that fades in and out if I move my laptop into my kitchen. That is
not an especially convenient circumstance or location to do much online
research in. I guess I ought to be happy that I at least have that - and
that someone in the neighborhood is trusting enough leave their hotspot
set for public access.
I do know that both Rautawaara and
Anders were quite popular in 1930s Germany. Rautawaara was from Finland.
Because Peter Anders was a favorite singer of Adolf Hitler, he was allowed
to avoid military service during World War II and instead participated
in wartime propaganda performances. I have not been able to
find out whether he was, in fact, an actual supporter of the Nazi regime
or simply collaborated for non-idelolgical reasons. Regardless,
after the war. he fell out of favor with the public as a result of his
association with it.
- Dismuke
If you have questions or
comments about the music or would simply enjoy interacting with friendly
people who share your interest in it, join in the conversation on Dismuke's
Message Board.
June 19
This week's Hit of the Week is brought
to you by
Gunther Raccoon Coats
Fifth Avenue at 36th Street
New York
Headquarters For Raccoon Coats
(from 1931 ad)
Sweet
Nothings Of Love
George Olsen And His Music
Ethel Shutta, vocal
1929
(Victor 22251-A)
Duke
Of Ka-Ki-Ak
The High Hatters
Frank Luther, vocal
1929
(Victor 22251-B)
As
Long As You're There
The High Hatters
Chick Bullock, vocal
1931
(Victor 22756-B)
Here are selections from a couple
of records that I won in the recent Nauck's
Vintage Records auction.
The first two songs, "Sweet Nothings
of Love" and "Duke Of Ka-Ki-Ak" come from the 1929 Fox film Hot
For Paris which was issued in both silent and sound versions.
Sadly, the film is presumed to be lost.
Ethel Shutta, featured on "Sweet
Nothings Of Love" joined the Olsen band as its female vocalist in 1928
and ended up marrying Olsen a year later. They divorced in
1936.
The third selection, "As Long As
You're There" is a very pretty tune performed by vocalist Chick Bullock
making a rare appearance on the Victor label. Most of
his recordings appeared on the various labels issued by Victor's Depression
era rival, the American Record Corporation where Bullock was the primary
in-house vocals throughout the 1930s.
- Dismuke
If you have questions or
comments about the music or would simply enjoy interacting with friendly
people who share your interest in it, join in the conversation on Dismuke's
Message Board.
EXTRA
This section will present
78 rpm recordings that do not fall within the range of the vintage pop
and jazz fare that I usually present. Here I will feature
recordings from a wide variety of eras, musical genres and nationalities
as well as occasional spoken word recordings.
Image from October 31, 1926 Dallas
Morning News
You
Went Away Too Far
The Sunflower Girl of WBAP
1927
(Columbia 1107 D mx 144347)
I
Hold The World In The Palm Of My Hand
The Sunflower Girl of WBAP
1927
(Columbia 1107 D mx 144352)
Here is another record I won in
the recent Nauck's Vintage Records auction. I bid on it primarily
because of its connection with the local history in my area.
Here in Fort Worth, WBAP has been the dominant AM radio station since
it was founded by the Fort Worth Star-Telegram newspaper in the
early 1920s.
The Sunflower Girl of WBAP was Bessie
Coldiron who performed on the station on and off from late 1925 through
at least 1929.
According to an October 31, 1926
Dallas
Morning News article, Coldiron made a visit to Fort Worth in
late 1925 where:
"...the Hired Hand,
announcer at WBAP, heard her and prevailed upon her to play a trial daylight
program for that station. The fans were instantly pleased and
what was intended to be just a few concerts during her visit to Texas turned
into a five month's engagement....During her radio engagement last winter
the applause mail received was often over 4,000 letters a week and before
each night program scores of wires, some filed two or three days ahead,
were asking for numbers. It was a slack day that did not bring at
least one dozen boxes of candy, among other gifts of all description from
all parts of the world. And she didn't eat candy because of a feminine
whim that it was fattening - she didn't want to weigh over 104."
Because there were fewer radio stations
in the 1920s compared with today, it was not uncommon for even relatively
weak stations to be picked up at night in distant cities. It was
standard practice, therefore, for radio sections in local newspapers
to also feature program listings for and reviews of stations in far-away
cities. Positive reviews of Coldiron's performances on
WBAP were mentioned in newspapers as far away as Ohio and Indiana.
A January 1928 issue of the Decatur Evening Herald in Decatur, Illinois
wrote:
"Fifty-five songs in
a trifle over nine minutes was the record of the Sunflower Girl of WBAP.
The Hired Hand called the selections as he wished and she sang snatches
from the choruses. 100 per cent, entertaining"
Coldiron derived her broadcast name
from the fact that she was from Kansas - the "Sunflower State." My
basis for this is a mention in a 1927 magazine distributed to employees
of the Frisco Railroad which did a profile on an elderly Civil War veteran
who was retired from the railroad who stated that his hobbies included
"listening in on the radio to programs broadcast by the Kansas Sunflower
girl at the Ft. Worth Star-Telegram broadcasting station."
The fact that she was from Kansas was also mentioned in 1926 Dallas
Morning News stories.
After her initial five month engagement
at WBAP, Coldiron she spent the spring and summer of 1926 as a headliner
on a successful vaudeville circuit tour at various Majestic-Orpheum theaters
throughout the South.
When the vaudeville tour came to
an end, Coldiron returned to WBAP after stopping in New York City in September
1926 where she cut a handful of sides for Brunswick Records.
The sides were issued on Brunswick's subsidiary label, Vocalion.
She also recorded four sides for Columbia in Chicago in June, 1927 which
is where the two featured here come from.
Beyond the above, I have no further
biographical information about Coldiron or what became of her.
A few Dallas Morning News radio listings in 1938 and a great many
in 1940 list "The Sunflower Girl" as performing on station KGKO in Fort
Worth. Like WBAP, KGKO was owned by the Fort Worth Star-Telegram.
Under a very unusual arrangement, WBAP shared its 50,000 clear channel
frequency with Dallas based WFAA, owned by the Dallas Morning News.
This
arrangement meant that each station was off the air half the time. Star-Telegram
owner Amon Carter purchased KGKO as an outlet for programing during the
times that WBAP had to sign off to make way for WFAA. Eventually,
The Dallas Morning News purchased half ownership in KGKO and the
call letters were abolished with its 570 regional frequency becoming WFAA
when WBAP occupied the 820 clear channel frequency and vise versa.
The two stations would sign off every three hours and swap places on the
dial. This highly unique arrangement lasted all the way up
to 1970 when WBAP assumed sole control over the 820 frequency.
I have not been able to determine whether the 1938/1940 "Sunflower Girl"
was a return to Fort Worth airwaves by Coldiron or whether station
management merely assigned that stage name to some other performer.
A search through the Social Security
death records turns up two results for "Bessie Coldiron." Bessie
E. Coldiron was born June 4. 1902 and passed away February 28, 1990.
Her last known zip code is listed as Hayward, California. Another
Bessie Coldiron was born July 25, 1909 and died in August 1993. Her
last known address was near Detroit, Michigan. Another online source suggests
that this second Coldiron might have had a middle initial of "A."
I would think 1902 would be a more
likely birth date for The Sunflower Girl as that would have made her 23
when she began performing on WBAP. A 1909 birth date would have made
her 16 - young, but certainly not unheard of in show business.
Of course, it is entirely possible that neither of the two Bessie Coldirons
listed in the database was the one who performed as The Sunflower Girl.
If anyone has any additional information
about Bessie Coldiron, I would be very interested in knowing about it.
As you listen to these recordings,
see if you agree with me that Coldiron's voice sounds very similar to Ruth
Etting's.
- - - - -
Update: I located the following
mention in the June 10, 1938 El Paso Herald-Post:
"Mr. and Mrs. Ray Coldiron
have returned to their home in Kansas City, after a visit with Mr. and
Mrs. J. F. Platt Mrs. Coldiron, radio singer, sang over Station WBAP as
the Sunflower Girl for many years."
- Dismuke
June 7
This week's Hit of the Week is brought
to you by
Houston Lighting and Power Company
(from 1931 ad)
Without
That Gal
Chester Leighton And His Sophomores
Dick Robertson, vocal
1931
(Velvet Tone 2415 V mx 351045)
On
The Beach With You
Chester Leighton And His Sophomores
Eddie Walters vocal
1931
(Velvet Tone 2415 V mx 341042)
Here is an old Velvet Tone record
courtesy regular guest contributor Matt
From College Station. Velvet Tone was a bargain label manufactured
by Columbia Records. Recordings on Velvet Tone were also simultaneously
issued on Columbia's other bargain labels Harmony and Diva.
Chester Leighton And His Sophomores
was a pseudonym used for recordings by several Columbia bands. This
particular recording was by the Ben Selvin Orchestra. Selvin
was by far the most prolific recording artist of his day with well
over 10,000 sides to his credit.
The vocalist on the "On The Beach
With You" selection is Eddie Walters, a mostly forgotten early 1930s ukulele
player and crooner. You can here Walters' ukulele during the vocal
section of the recording. I have not been able to locate
any biographical information on Walters but he did make a handful of
records under his own name for Columbia and with Selvin and other Columbia
dance bands.
Dick Robertson, the other featured
vocalist performed with a variety of recording bands in the early 1930s
and eventually led his own band.
- Dismuke
If you have questions or
comments about the music or would simply enjoy interacting with friendly
people who share your interest in it, join in the conversation on Dismuke's
Message Board.
EXTRA
This section will present
78 rpm recordings that do not fall within the range of the vintage pop
and jazz fare that I usually present. Here I will feature
recordings from a wide variety of eras, musical genres and nationalities
as well as occasional spoken word recordings.
What
Would You Do
Maurice Chevalier
1932
(Victor 22941-A)
Oh
That Mitzi
Maurice Chevalier
1932
(Victor 22941 B)
The May
15th Extra featured Jeanette MacDonald performing selections from her
1932 Ernst Lubitsch film One Hour With You. Here is her co-star
Maurice Chevalier performing some additional songs from the picture.
Both of these songs were written for the movie by the famous Viennese operetta
composer Oscar Straus. As with the MacDonald selections
from the previous update, these recordings come courtesy of Matt From College
Station.
As I mentioned in the previous update,
One
Hour With You, along with three other early 1930s Lubitsch musical
films, has recently been issued in
a DVD box set by the Criterion Collection. Also included
in the box set is The Smiling Lieutenant which also stars Chevalier.
The
Smiling Lieutenant is a film adaptation of Oscar Straus 1908 operetta
A
Waltz Dream (Ein Walzertraum) I highly recommend
both of these very charming films for their music and for their light-hearted
comedy which, unlike a lot of vintage comedy, is still fresh and amusing
all these many decades later.
- Dismuke
If you have questions or
comments about the music or would simply enjoy interacting with friendly
people who share your interest in it, join in the conversation on Dismuke's
Message Board.
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